2014 UTOPIC BAROQUE [1]

I N T E R N A T I O N A L

O R G E L P A R K

S Y M P O S I U M

2 0 1 4

 

ELECTRIFYING BAROQUE

THE NEW BAROQUE ORGAN AT THE ORGELPARK

 

 

 

 

THURSDAY / 5 JUNE

Welcome & Introduction

Hans Fidom

 

Concert

Hans Davidsson & Dancers

 

Session 1: Exploring The Field

Peter Williams: Bach and the Organ ~ What Organ?

Hans Davidsson: Projects in Sweden, USA, Denmark

 

Concert

Jacob Lekkerkerker

 

 

FRIDAY / 6 JUNE

Session 2: Historicism and Organ Building

Paul Peeters: international developments

Wim Diepenhorst: national developments

 

Session 3: Historical Aspects of the New Baroque Organ

Cees van der Poel: The history of spring chests

David Franke: The organ builder Hildebrandt

Peter van Dijk: The organ builder Gottfried Silbermann

 

Session 4: Musicking on/and New Organs

Hans-Ola Ericsson: New Developments 

Martin Herchenröder: Composing for new organs

Jacob Lekkerkerker: Musicking and Organs

 

Session 5: Organ Art and Artistic Research

Tracking the New Baroque Organ Project

 

Listening session part 1: three spring chests, one set of pipes

Making notes: does the chest type affect the sound, and if so, how?

 

Concert

Hans-Ola Ericsson

 

 

SATURDAY / 7 JUNE

Session 6: Hyper Organs

Randall Harlow: Rethinking contemporary organs

Ansgar Wallenhorst: The new console at Ratingen

 

Session 7: The New Baroque Organ at the Orgelpark

Munetaka Yokota: Hildebrandt’s organs ~ research so far

Ibo Ortgies: Bach and temperament

Carl-Johan Bergsten: Baroque organ wind systems

 

Listening session part 2: three spring chests, one set of pipes

Making notes: does the chest type affect the sound, and if so, how?

 

Lecture Recital: the medieval organ at the Orgelpark

Wim Diepenhorst

 

Concert

Waalse Kerk